The Decemberists' latest release What
a Terrible World, What a Beautiful World strays
further from the ambitious, overwrought concept album Hazards of Love (which I loved anyway) and deeper into
the simpler, folkier sound that dominated their last release (The King is
Dead). The album begins with the semi-autobiographical "The Singer
Addresses His Audience" which humorously describes the relationship
between the band and their fans. The album then progresses from the horn-driven
“Cavalry Captain”, through 50s-sounding “Philomena”, the guitar rock of “Make
You Better” and then into the coupling of “Lake Song” and “Till the Water’s All
Long gone” which echo Van Morrison’s Astral
Weeks. They then settle into a set folky
Americana that would fit nicely in a Pete Seeger song collection, or a Neil
Young retrospective. Toned down are the archaic literary references (e.g.
"picaresque" and "palanquin") replaced by simpler, more
straight-forward songwriting. While songwriter Colin Meloy simplifies the
literary bend of his lyrics, the themes are still quirky (and sometimes
creepy). For instance, in the song "Philomena" he sings:
All I ever wanted in the
world
Was just to live to see a naked girl
But I found I quickly bored,
I wanted more, I wanted more
Was just to live to see a naked girl
But I found I quickly bored,
I wanted more, I wanted more
So I'll be your candle and
I'll be your statuette
And I'll be your lash and loop of leather
And dark Philomena, if only you'd let me go
Down, down down
And I'll be your lash and loop of leather
And dark Philomena, if only you'd let me go
Down, down down
Interesting imagery there. But, for the most part the lyrics are about loss and longing and considering the title and song "12/17/12" are a reference to Meloy's reaction to the Sandy Hook school shootings, this is appropriate. Like the title says, this album is about the duality of existence, pain and pleasure, beauty and terror, all coexisting in this world we live in.
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